Reviewed by: Suad Bejtovic, Bosnian Movie Critic

Directed by: David O. Russell

Starring: George Clooney, Mark Wahlberg, Ice Cube

     Since I am a non-American, hence atypical consumer of Hollywood confection, one thing caught my attention in the movie "Three Kings". In an amazing fashion, director David O. Russel portrays Americans in the eyes of the other nations of the world. In one moment, they are just cold bystanders, in the very next they become miraculous liberators, but not long after that, they are demoted to calculated politicians. America and its Army is represented in this movie by four soldiers, led by Archie Gates (George Clooney). In the chaos that followed the Gulf War cease-fire agreement, they are looking for enormous quantities of gold stolen from Kuwaiti sheiks by Sadam’s soldiers. The truce itself is on their side, because it prevents Sadam’s forces to interfere, but they gladly help load the truck. Things are not exactly that simple, as our heroes are about to find out. In the twists and turns that ensue, they will become a biblical metaphor in the middle of the Muslim country - three heroes bringing gifts. Gifts of life to Iraqi refugees and gifts of wealth (back) to Kuwait.

What really shocks in the movie "Three Kings" is total neglect for Pan-American propaganda that bends the backs of such powerful Hollywood directors (see "Saving Private Ryan"... if you have to). "Three Kings" is much more accurate movie than most than we saw in the last couple of years. Not only because it projects the horrors of war through an isolated group of characters, but the humor that goes with that horror. Then again, the dilemmas of the main protagonists are not the distant, however glorious, past of World War II, but today’s everyday life in America. This movie even describes cynically that there is no such thing as a glorious past in any war. Of course, that flavor of black comedy makes this movie so controversial that it would be a true miracle if it maintains a strong presence in the box-office, let alone be a contender for awards. I’ll be cheering for it because it is honest and fair, and I have the right to believe that honesty and fairness are values that still have a meaning somewhere in show-business. Besides, it’s a funny movie.

    

     Kao neamerickom, pa tako i netipicnom konzumentu holivudske konfekcije, jedna stvar mi je zapala za oko u "Three Kings". Na zadivljujuci nacin, reditelj David O. Russel prikazuje Amerikance onako kako ih vide druge nacije na svijetu. Oni su u jednom trenutku hladni posmatraci, vec u sljedecem cudesni oslobodioci, ali nedugo zatim kalkulantski politicari. Ameriku i njenu armiju u ovom filmu predstavljaju cetiri vojnika, koje predvodi Archie Gates (George Clooney). U haosu uslijedilom nakon primirja izmedju Amerike i Iraka 1991, oni tragaju za golemim kolicinama zlata koje je Sadam Hussein oteo od kuvajtskih seika. Na njihovoj strani je upravo to primirje, koje sprjecava Sadamove vojnike da se mijesaju, vec im cak i pomazu pri utovaru kamiona. Stvari nisu sasvim jednostavne, kako ce nasi heroji ubrzo utvrditi. U zapetljanom razvoju dogadjaja, oni ce postati neobicna biblijska metafora usred zemlje muslimana - tri heroja koja nose darove. Darove zivota irackim izbjeglicama, a bogatstva Kuvajtu.

No, ono sto zaista sokira u filmu "Three Kings" je potpuno zanemarivanje sveamericke propagande kojoj se povinuju i najutjecajniji holivudski reditelji (vidi "Saving Private Ryan"). "Three Kings" je mnogo precizniji ratni film od mnogih koje smo vidjeli u posljednjih nekoliko godina, jednostavno zato sto izoluje ogranicenu grupu ljudi i kroz nju prikazuje kako stravu i uzas rata, tako i humor koji njegove protagoniste odrzava mentalno zdravim. Dileme glavnih junaka nisu daleka proslost Drugog svjetskog rata, vec danasnja americka svakodnevnica. Naravno, to ovaj film cini i tako kontroverznim da ce biti pravo cudo ako se odrzi na trzistu, a kamoli bude u konkurenciji za nagrade. Ja cu navijati za njega zato sto je iskren i posten, a imam pravo vjerovati da su iskrenost i postenje vrijednosti koje se jos negdje cijene u show-businessu.

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