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Reviewed by: Suad
Bejtovic, Bosnian Movie Critic
Directed by: Mimi Leder
Starring: Kevin Spacey, Helen Hunt,
Haley Joel Osment, Jay Mohr
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"Pay
It Forward" was promising a lot. It has stellar cast, led by red-hot Kevin Spacey,
fresh off his second Oscar-winning performance. It has a good basic idea, about ways to
improve the world we live in, comes from true life. Most of all, it appeared to have had
that intangible quality that makes a movie great, the atmosphere. However, when the story
was told, the movie fell flat. Much ado about not much. Spacey leads off the movie, as an elementary school teacher, his
face scarred with burn tissue. He will be teaching social studies to a bunch of
seventh-graders, one of which will be our hero, played by little big Mr. Osment. As their
first assignment, he asks of them to come up with an idea that can do something big, up to
and including changing the world. Our hero is a smart boy, living with his single mother,
played by Helen Hunt, who should register a patent for a tough-single-mom role. Hes
thinking and he comes up with it. He will help three people with something big, something
they couldnt have done on their own, and instead of having them pay him back for the
favor, they should pay it forward, to three other people each, spreading the good until
theres no evil. His plan doesnt seem to work at first, but he keeps trying.
Hollywood acting heavyweights such as
Spacey and Hunt are in tune with their characters. Spacey is his usual perfect self, a
bitter man, hiding from his frustrations behind obsessive-compulsive disorders. Hunt is
not that far from her As Good As It Gets character, and shes playing it safe, as a
mother forced to moonlight in places where the dress code is almost as lenient as the
patrons code of conduct. It is the young Osment who is a truly refreshing figure.
Away from his "I see dead people" routine, his acting display is admirable,
especially in a role that is somewhat demanding for a cub-actor. As complements to the
leading threesome, there is a number of episodic roles, used to make the scope of the
movie as broad as possible. We have Jay Mohr as a persistent reporter, James Caviezel is a
homeless man and the first experiment of the "pay it forward" idea, and Angie
Dickinson is still electrifying as Hunts alcoholic mother. And lets not forget
some eye candy for the moviegoers of the gentler gender, in the form of a "Papa was a
rolling stone", played by Jon Bon Jovi.
As utopistic as it is, "pay it
forward" idea expects a thing or two from the viewers of the movie. You have to be
mildly optimistic, a bit naïve and a big daydreamer. You have to have faith in the
mankind, just as Osment has. And that would be fine, but the movie spends a lot of time
trying to convince us of all those things over and over again. The romantic relationship
between Spacey and Hunt is falsely awkward, some of the "pay it forward"
gestures way too outrageous, others childishly simple. The whole flow of the movie is not
orchestrated very well, and the storyline keeps jumping back and forth in time warning us
just the first time. In his investigation of the story, Jay Mohr character ends up closing
the circle, defeating the purpose of the idea itself. Caviezels character has never
been fully developed, as if a few scenes were deleted. So much time is spent on things
that are painfully obvious, like Spaceys scar tissue or the final outcome of
Osments idea. And can you believe the grand finale, utterly manipulative and cheap
screen-writing shortcut? This movie may have the beauty and the performances of an Oscar
winner, but it is hopelessly crippled by an unimaginative screenplay that wasted an
interesting idea. |
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