Reviewed by: Suad Bejtovic, Bosnian Movie Critic

Directed by: Ronald Emerich

Starring: Mel Gibson, Heath Ledger, Jason Isaacs

.      Remember how Mel Gibson said in his acceptance speech for a Best Director Oscar how the thing he really wants to do now is act? In "The Patriot", he gets his chance. It’s a movie very similar to "Braveheart", but Mel can now focus just on one job, and even though he never came close to winning an Oscar for acting, he shows once again that he does it very well.

He plays Benjamin Martin, a legendary warrior from the French-Indian wars, now a farmer in South Carolina, raising his seven children after the death of his wife. He is reluctant to join the local politicians in their pursuit of independence of a young American nation. He seems like a man who has seen enough violence in his life already, and he feels the conflict with England should be resolved peacefully, through negotiations. Thanks to forces beyond his control, there will be a Declaration, followed by a war, of Independence. He will begin a series of guerrilla attacks against the Red Coats, earning himself a nickname "The Ghost" and respect of the local population.

"The Patriot" is a two and a half-hour war epic, in which the main character achieves redemption through personal sacrifice, changing his priorities and beliefs along the way. Loosely based on some real-life characters, the movie makes a clear distinction between good and bad guys. A little too clear, even, as the sadistic Red Coat colonel William Tavington (Isaacs) gets increasingly insane in his executions. Our hero will also have the dark secret that will wait two thirds of the movie to be revealed, but somehow it’s much easier to forgive Mel Gibson than Jason Isaacs for any imaginable sin.

Aside from "Braveheart", "The Patriot" has a lot in common with many movies about famous American conflicts. In "Revolution", Al Pacino’s character and his son fought reluctantly alongside George Washington, although Pacino was a trapper, not a farmer. The scenes of political turmoil in South Carolina are reminiscent of those from great Civil War epics, "Gone With The Wind" and "North and South". Finally, "Glory" comes to mind in its portrayal of slaves fighting for their freedom.

Aside from the obvious shortcomings in the development of the initial ideas and lack of originality, "The Patriot" moves gracefully across the screen, led by a confident hand of Ronald Emerich, who proved himself in the genre of mega-spectacles, such as "Independence Day" and "Goodwill". The scenes of battles are solid, but nothing out of the ordinary, and children actors produce a few truly touching moments. However, everything starts and ends with Mel Gibson, his piercing blue eyes and mischievous smile.

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