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Reviewed by: Suad
Bejtovic, Bosnian Movie Critic
Directed by:
Paul Verhoeven
Starring:
Kevin Bacon, Elisabeth Shue, Josh Brolin
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There is really not that many ways you can
make up a story about the invisible man. H.G. Welles set the standard, and the rest of it
is just variations. However, when you assign Paul Verhoeven to the project, you expect the
end result to be visually stunning, with state-of-the-art digital imagery that transcends
the cinematic concept of invisibility beyond pencils floating through air. Netherlands'
native Verhoeven is most comfortable in sci-fi genre, as his biggest Hollywood
breakthroughs were "RoboCop" and "Total Recall", and his credits also
include a more recent futuristic fantasy, "Starship Troopers". He delivers this
time, too, pushing the visual effects envelope to the extent that someone may open an
envelope with the title of this movie inside, some time in March. Working with
the team of anatomy and biomechanics advisors, the makers of Hollow Man have implemented
the gradual disappearance of a living being, layer by layer. Skin disappears first, baring
the musculature, skeleton and the nervous system, which slowly dissolve into nothingness.
The main character, Sebastian Caine, played by Kevin Bacon, is the archetypal mad
scientist, with charm and leader's charisma, but with megalomania and paranoia waiting in
the back of his genius mind. His research team works in a hush-hush lab, and has had
success with making animals disappear, but they are having trouble bringing them back to
visibility. That problem is solved at the start of the movie, and Caine arrogantly
volunteers to be the first invisible human. After attempts to bring him back fail due to
the subtle differences in the human DNA, he becomes restless, deviant and tries to destroy
all evidence of his visible self, including the members of his team.
What
starts as a good-natured science experiment, slowly evolves into a claustrophobic suspense
thriller, which leads to a truly exciting finale. The foundation for such a transformation
is laid in the development of main characters, in a script that's very believable, if we
ignore the fact that the science is reduced to the level of a Nintendo game. Movie about
the invisible man cannot be realistic in that sense, and Hollow Man doesn't waste time
trying to justify or explain itself. Elisabeth Shue stands out from the supporting cast,
actually nailing the top spot in the credits as Linda McKay, Caine's former lover, but
still his right hand at their mutual enterprise. She is a tough, intelligent woman, who
knows how to make an electromagnet to save her life, but also has the intensity as a
scientist and passion as a lover. So, even though Hollow Man relies heavily on the
dazzling special effects, much in the same way as Matrix, it has a decent story to offer,
along with some good acting, nice scares and more than a few laughs. We can't expect much
more in August.
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