Reviewed by: Suad Bejtovic, Bosnian Movie Critic

Written and directed by: Karyn Kusama

Starring: Michelle Rodriguez

.      The success of Sundance Film Festival has inspired many young filmmakers to pursue their dreams, and helped some of them break into the Hollywood in-crowd. With Girlfight, first time director Karyn Kusama returns the favor to Sundance, providing its winner for the year 2000 (tied with You Can Count On Me) and one of the most fearless movies of the year.

Diana Guzman is a struggling high-school student, living in a tight Latin community in New York. She takes no crap from anybody, and chucks knuckles with anyone who tries. She sinks deeper in trouble with the school authorities with each fight, but she doesn’t seem to care. Her life is a downward spiral and she’s losing control. She sees light at the end of the tunnel when she visits the gym where her brother is training boxing. Hiding it from her father, she convinces Hector, the owner of the gym, to train her. Armed with patience, Hector recognizes Diana’s talent, and gives it discipline and skill, making Diana into something she’s never been – a success.

Surprisingly enough, the story of a teenage female boxer is almost completely devoid of stereotypes. There is no glory of Rocky here, no glamorous rinks packed with thousand of screaming fans. In fact, Kusama chooses dirty camera work to portray the gritty neighborhood, giving the movie the feeling of a documentary. The gym is decorated with "inspirational" sayings, such as "When you’re not training, somebody else is training to kick your ass", and "It’s not the size of the dog in a fight, it’s the size of a fight in a dog". Diana will develop a romance with one of the boxers, Adrian, but not even that relationship will be conventional, as they both live in a very special world. In a twist of fate, they will have to fight each other, and the outcome of the fight could be a deciding factor in the outcome of their love, as well.

In a demanding main role, Michelle Rodriguez delivers a knockout punch. Her demeanor and appearance, while still very female, intimidate and confuse those around her. She is a tough product of a tough environment, and boxing as a choice makes a lot of sense. She deals with racial to gender prejudice on a daily basis, and her emotional scars are deeper than the physical scars will ever be. Although the supporting cast is also above average, Rodriguez’s performance stands out, demanding attention from the critics and expectation from the viewers.

What remained to bother me after seeing the movie, was the question of motive. Did Diana start training boxing so she can smack her dad around or so she can impress her P.E. teacher at school? Even though boxing provided a lot of relief from her grim everyday life, she still has a lot of anger bottled up, and she doesn’t seem any more mature than she was at the beginning of the movie. Without a clear direction, she still seems equally lost, even though she feels much better about herself now. However, even with all the small inaccuracies and a loose end or two, Girlfight is an astonishing story, told in a unique style, and its mere bravery is enough to impress an unsuspecting viewer.

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